Now welcoming bookings for Autumn.

Photography for businesses | Bespoke Portraits | Portrait Days

 

Hi there,

Imagine rain, cooler days and log fires... as I'm writing this, the forecast includes no rain (still!) and temperatures over 30 degrees!!!


I'm just wrapping up on some of my current projects before my annual August retreat to recharge my batteries, to slow down, recalibrate my creative compass and giving my film projects the attention they deserve. They've been neglected of late, knowing that this time was coming.

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I'm welcoming

bookings for Autumn

I really can't believe that I'm saying this already, but, I'm now opening my diary for the Autumn, so, if you have new projects afoot and thinking you need some photographs for branding - either business or personal, if you have new products coming online or simply need imagery to refresh your website, then I'd love to work with you...

Through this last month of Summer, maybe you're thinking its time to commission portraits of your little, or not so little children. Maybe your thinking its time to update your children's ongoing folio? Now is the time to get in touch as I'm also accepting commissions for bespoke portraits.

If you are watching for my next phase of portrait days, I shall be launching these in September. 

Interested? Simply drop me an email, let's chat.  Other than that, enjoy the last of this remarkable Summer.

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The story behind the Cottage Garden Series.

As a teenager, I stumbled upon the history of the English cottage garden.  I was hooked by both the very sight of then and also their rich history and all that this brought, including Helen Allingham's chocolate-box views of tumbledown cottages with flower-filled front gardens.  Behind the romance that she portrayed in her art, there was poverty and hard work.

The earliest cottage gardens were practical out of necessity, provided nourishment for poor cottage dwellers.  With focus on vegetables and herbs and fruit trees, a beehive and possibly livestock could often be found.  Flowers were used to fill space and, gradually became more dominant. They also had a practical use - edible flowers used as a food and fragrant ones used to make pot pouring or were strewn on the floors to combat odours. The traditional cottage garden was usually enclosed, perhaps with a rose-bowered gateway.

Cottager’s plots were small and crammed with plants for maximum productivity.    Increased prosperity during the Elizabethan era meant that cottagers could afford to grow more flowers. Some still had functional uses -  violets which were strewn on cottage floors as their scent deterred vermin. Other flowers, hollyhocks for example were grown for their beauty and nothing more .

There is nothing pretentious about these cottage gardens.

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Cottage Garden Series

Limited Edition Prints

A few years ago, I was fortunate enough to be able to photograph a traditional English cottage garden where fruit, vegetables, herbs and flowers to decorate the house were grown cheek by jowl. I wanted to record the contents of this garden in line with my passion for the Florilegium. I felt it acknowledged the historical side beautifully. 

Each editioned image is carefully printed onto a Baryta/Fibre based silver gelatin photographic paper based upon traditional B&W silver halide technology which has beautiful panchromatic sensitivity.  Again this printing process and use of the particular nods gently at then historical base of this series.  The Series can be found here.

Back soon,

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On finding your true north...

Over time I’ve had lots of message and mentions about my style being calming, meditative, still, and so on. 

I didn’t set out to create this style.  It seems to have found me!  All I have ever done is shoot intuitively, following my instinct, my heart. I simply shoot what resonates with me.  Originally, there was no forethought – no grand (style) plan – no fancy hashtags or anything... I merely followed my heart, my instinct.  Just me, my camera and the subject before me.  Observing, noticing, watching...

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What I have always done is not to snap, but the opposite. To make time to be able to do justice to the subject or situation I’m in, whether shooting on commission or my Fine Art work. I feel this has come from my roots, my upbringing in film and darkroom practice, both of which I still do.

I have discovered through this that things have come to me. Sometimes without me noticing at first. At times, I just accept what I have captured and don’t overthink my results. Then the comments start to come in…

What I have always done is not to snap, but the opposite. To make time to be able to do justice to the subject or situation I’m in, whether shooting on commission or my Fine Art work.  I feel this has come from my roots, my upbringing in film and darkroom practice, both of which I still do.

I have discovered through this that things have come to me. Sometimes without me noticing at first. At times, I just accept what I have captured and don’t overthink my results. Then the comments start to come in…

Through working this way, I have come to realise that yes, my work is indeed meditative, quiet, calm… that I have opened my heart and yes, I truly feel that I have found my true north.

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PS In line with my love of sharing – if you look at my workshops list, you will see that there is a workshop called ‘Nurtured by Nature’which looks at exactly this. Any funnily enough, its creation came about as described here. I simply stood back and looked at what was before me, instead of trying to create some major fancy plan. (do contact me directly if there's a group of you that would like this workshop or sign up for me occasional newsletter for dates coming up.

Maybe I can point you in your true direction.

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