My new look Magazine style newsletter

 

Have you signed up yet for my new look Magazine style newsletter?

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I’m all for unplugging to find some silence, room for inspiration and creativity to grow, but I took this to a whole new level recently and quite unintentionally! I was without internet for just over five weeks… I have now tidied up the chaos that followed in the wake of this.

During my downtime I very quickly decided that I would make this a beneficial time for me. I took to the old pencil and notebook. I wrote, wrote and wrote some more - germs of ideas, thoughts, inspirations and more.

One thing that rose from this was my new newsletter - it has now become more of a magazine style where you can look at the index and read the relevant articles. The ones that interest you most.


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My magazine style newsletter was born.

In keeping with my own visual style it is blocked out - divided into sections. Headline articles, sub headline articles and then a couple of feature articles. All with you, my lovely band of subscriber readers. I can now reach you all without bogging you down with lots of scrolling to find the pieces relevant to you.

If you aren’t yet a subscriber, then please do pop over to the bottom of this page and fill in the block.

In the future, there will be articles for everyone - from pieces on brand imaging for my creative entrepreneurs through to hints and tips and links for my students and guests who are on or planning to join one of my workshops or courses.

What I am hoping for is that each an every will offer something new and different and interesting.

Do please sign up and enjoy.

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Looking back as Autumn becomes Winter

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Oh what a glorious Autumn we had here in the UK - after the long hot Summer, we had an equally amazing Autumn, but this time it was the colours that took centre stage. As you will know I started Autumn off in my beautiful Cotswolds and ended it in Cheshire - getting to know it. Country lanes and the flat plains where you can see for ever and oh, those big skies!

What has struck me most about my shift in geography is the difference in tones! The greens are so different - lush, saturated, bright - compared with the gentle greens of the Wolds. The reason? Simply, it’s the rain.

I have been creating and settling in to my new studio… I still have the peach coloured vertical blinds to swap for white voile curtains so that the whole place becomes one giant soft box… slowly, steadily that is happening. I have sent my camera kit off for a much needed service too in the studio down time.

New friends and contacts are in the making, just as finding new locations and venues for workshops and 1:1 Mentoring sessions… as you will know, location matters hugely - as does the food. I want my guests and students to make my offerings a destination as well as offer quality content.


AUTUMN, SEASONAL, PHOTOGRAPHY

I have been quietly shooting in little corners - finding little pools of quality Autumn light and making my seasonal colour wheel - part of an ongoing personal project for my research into Colour Psychology… No russet tones here this year - instead a wheel fuelled with brights and gorgeous bedfellows - bright oranges and fuchsia pinks go so well… Mother Nature - ow I love you - the ultimate colourist.

 
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If you hear a voice within you say - you cannot paint - then by all means paint and that voice will be silenced.

Vincent Van Gogh

Mentoring & Questiontime

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Mentoring.

Phew…

Now that I’m getting organised in my lovely new natural light studio, I thought I would chat about my Mentoring offerings

Only yesterday someone asked me about my genre of photography… my quick answer to that is that I don’t particularly restrict myself in this way, it’s more of a way of shooting, a signature style. I feel that this is because of my spending all my life with a camera in my hand - shooting film, digital, polaroid… the whole darn lot! Because of this I love to Mentor people and help them on their journey, wherever that is taking them.

I work with a broad range of people and situations - from those who simply want to become better in their hobby right through to people wanting to dip their toes into the professional world of photography - bloggers, editorial, fine art… or individual creative entrepreneurs who need to be spontaneous and take top quality images of their products, staff or other for their website, social media, blogs or for marketing purposes.

I see Mentoring as a creative trainer for creative entrepreneurs and those peeps who are simply keen to learn… just as you would have a personal trainer to get fit, then why not think about a Creative Mentor to hone your creative skills?

I would love to work with you…

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Questiontime.

I get quite a few people asking me questions about all sorts of diverse things within my Creative and Photography worlds… giving these questions the full attention that they deserve, they may now easily fit into a Mentoring framework. To fill this conundrum, I have now launched Questiontime. It is a one off virtual package consisting of one hour, dedicated just to you, where you get my undefined attention. It is your time and I want you to get the most from your session. Through being involved with photography all my life, I have a huge bank of knowledge that you can tap in to.

I’ve popped it up on my website under both the Learn and Work with me categories as I would love to reach out to both people who want to quiz me about their learning and also to those creative entrepreneurs that are thriving out there.

In other news…

I am working on a new format newsletter - I’m calling it New Shoots Magazine. I’m planning to send out every month or so - designed to inspire - it’s more of a read than a newsletter… full of thoughts to inspire, chatter about all sorts of things - processes, backstage thoughts for my workshops, books to read and more…

Sign up here if you want to join the list.

 




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The camera is an instrument that teaches people how to see without a camera. Dorothea Lange

Now welcoming bookings for Autumn.

Photography for businesses | Bespoke Portraits | Portrait Days

 

Hi there,

Imagine rain, cooler days and log fires... as I'm writing this, the forecast includes no rain (still!) and temperatures over 30 degrees!!!


I'm just wrapping up on some of my current projects before my annual August retreat to recharge my batteries, to slow down, recalibrate my creative compass and giving my film projects the attention they deserve. They've been neglected of late, knowing that this time was coming.

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I'm welcoming

bookings for Autumn

I really can't believe that I'm saying this already, but, I'm now opening my diary for the Autumn, so, if you have new projects afoot and thinking you need some photographs for branding - either business or personal, if you have new products coming online or simply need imagery to refresh your website, then I'd love to work with you...

Through this last month of Summer, maybe you're thinking its time to commission portraits of your little, or not so little children. Maybe your thinking its time to update your children's ongoing folio? Now is the time to get in touch as I'm also accepting commissions for bespoke portraits.

If you are watching for my next phase of portrait days, I shall be launching these in September. 

Interested? Simply drop me an email, let's chat.  Other than that, enjoy the last of this remarkable Summer.

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The story behind the Cottage Garden Series.

As a teenager, I stumbled upon the history of the English cottage garden.  I was hooked by both the very sight of then and also their rich history and all that this brought, including Helen Allingham's chocolate-box views of tumbledown cottages with flower-filled front gardens.  Behind the romance that she portrayed in her art, there was poverty and hard work.

The earliest cottage gardens were practical out of necessity, provided nourishment for poor cottage dwellers.  With focus on vegetables and herbs and fruit trees, a beehive and possibly livestock could often be found.  Flowers were used to fill space and, gradually became more dominant. They also had a practical use - edible flowers used as a food and fragrant ones used to make pot pouring or were strewn on the floors to combat odours. The traditional cottage garden was usually enclosed, perhaps with a rose-bowered gateway.

Cottager’s plots were small and crammed with plants for maximum productivity.    Increased prosperity during the Elizabethan era meant that cottagers could afford to grow more flowers. Some still had functional uses -  violets which were strewn on cottage floors as their scent deterred vermin. Other flowers, hollyhocks for example were grown for their beauty and nothing more .

There is nothing pretentious about these cottage gardens.

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Cottage Garden Series

Limited Edition Prints

A few years ago, I was fortunate enough to be able to photograph a traditional English cottage garden where fruit, vegetables, herbs and flowers to decorate the house were grown cheek by jowl. I wanted to record the contents of this garden in line with my passion for the Florilegium. I felt it acknowledged the historical side beautifully. 

Each editioned image is carefully printed onto a Baryta/Fibre based silver gelatin photographic paper based upon traditional B&W silver halide technology which has beautiful panchromatic sensitivity.  Again this printing process and use of the particular nods gently at then historical base of this series.  The Series can be found here.

Back soon,

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Dahlia for Noah

As you know, Fine Art Photography is very much part of my work as a photographer.  You will probably have seen a body of work called Dahlia Days a collection of C type images in limited editions.  I generally give an artist's statement to give viewers an insight into the background of a body of work.  This is different and something very close to my heart, so I thought I would let Vicki write a few words instead.  A first for me.

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My husband, created my dahlia bed as a tribute to our beautiful son, Noah, who we lost when he was two days old. The dahlias are grown with love and a quiet dedication. 

And from May to October, we fill the house and Noah’s special place with beautiful dahlias. We also give them to friends, neighbours and strangers. 

Each year, the dahlia bed is extended because the love does not fade. It grows. 

A good friend told us that in the Victorian language of flowers, the dahlia is seen as a symbol of dignity, elegance and an everlasting bond. 

And we grow them as a way to celebrate our bond with Noah and for people to say his name. 

I feel privileged that Vicki and her husband have allowed me to  celebrate Noah’s short life through my art photography.  You will now know why I want to fill the world with this specially chosen C type print called Dahlia for Noah.  Do please repost on social media to spread the word.  All profits from this print will go to SANDS, a most worthy charity.

If you would like to see more of their world, then both Vicki and Keith are on instagram.  Do follow them...

Julie x

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more from the series of Limited Edition C type Fine Art prints from the Dahlia beds for Noah.

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On finding your true north...

Over time I’ve had lots of message and mentions about my style being calming, meditative, still, and so on. 

I didn’t set out to create this style.  It seems to have found me!  All I have ever done is shoot intuitively, following my instinct, my heart. I simply shoot what resonates with me.  Originally, there was no forethought – no grand (style) plan – no fancy hashtags or anything... I merely followed my heart, my instinct.  Just me, my camera and the subject before me.  Observing, noticing, watching...

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What I have always done is not to snap, but the opposite. To make time to be able to do justice to the subject or situation I’m in, whether shooting on commission or my Fine Art work. I feel this has come from my roots, my upbringing in film and darkroom practice, both of which I still do.

I have discovered through this that things have come to me. Sometimes without me noticing at first. At times, I just accept what I have captured and don’t overthink my results. Then the comments start to come in…

What I have always done is not to snap, but the opposite. To make time to be able to do justice to the subject or situation I’m in, whether shooting on commission or my Fine Art work.  I feel this has come from my roots, my upbringing in film and darkroom practice, both of which I still do.

I have discovered through this that things have come to me. Sometimes without me noticing at first. At times, I just accept what I have captured and don’t overthink my results. Then the comments start to come in…

Through working this way, I have come to realise that yes, my work is indeed meditative, quiet, calm… that I have opened my heart and yes, I truly feel that I have found my true north.

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PS In line with my love of sharing – if you look at my workshops list, you will see that there is a workshop called ‘Nurtured by Nature’which looks at exactly this. Any funnily enough, its creation came about as described here. I simply stood back and looked at what was before me, instead of trying to create some major fancy plan. (do contact me directly if there's a group of you that would like this workshop or sign up for me occasional newsletter for dates coming up.

Maybe I can point you in your true direction.

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